Heresy in Headrot Zine, Issue 3

So as my pen-pal and legendary zinester Mel Direct Hit is on the hunt for old Heresy and Depraved photos, I'd thought I'd post this. Can't be arsed to scan the whole zine at the moment, here's the last five pages which feature a rather long and in-depth interview with cult UK thrashers Heresy. From the line up featured in the interview, the zine must have come out around 1987/1988. If anyone has a copy of "Thanks!" they wanna trade, I'm your man!

I hope you enjoy, if you can read the super small type font. Headrot was an A4 zine from Bath, Avon, published in the late 1980s. I believe 4 issues were produced. I could be wrong through.

Future Now! Zine, Issue 1

1987, UK, 32 Pages.

http://rapidshare.de/files/46940300/futurenow.rar.html

A rare treat for you here, the UK version of Maximum Rock and Roll! OK, well it's not actually a UK version of Maximum RnR, but back in the day this is what this zine aimed for. Unfortuantly, only 1 Issue was produced, and here it is, all scanned to .jpeg format and zipped in a handy WinRAR file.

The zine was put together back in 1987 by various Nottingham 'Scenesters' of the day, most notably John March and Kalv from Heresy, Digby Pearson of Earache Records fame, at that rather scary looking bald geezer called Trev, who I believe used to drive Heresy around and is in loads of their photos from that era. Like Maximum RnR, it aimed not just to cover hardcore punk, but associated politics and interests. That's why amongst the interviews with BGK, Head of David and Visions Of Change/Depraved you will find a dairy from Dave Ross, the drummer of Australian band Civil Dissident, a scene report from the Netherlands, a rather random report on life in Japan, articles on horror movies and serial killers and a photo montage of gnarly old skateboarding dudes!

Probably my favourite pieces of the zines are the documents of lates 80's hardcore - old record reviews (some classic Japanese hardcore next to LL Cool J!), scene news, adverts, tour dates, live photos and columns. There's a good transcript of a general meeting of the magazine staff where they all just sit round discussing various topics.

The zine itself is printed on some weird type of glossy paper. I've never seen anything like it - it's the feel of PVC! It came with a 3 track 7" flexi discs featuring unreleased tracks by the Depraved, Stupids and Heresy. The Heresy track is a still unreleased version of 'Make The Connection.'

I believe it's now quite hard to come by, and would command good money on ebay. If you're interested in more old punk zines, please see Punk Is Hippies.

Burnt Cross - "Arms Trade, Death Trade" 7"

2008, Tadpole Records, UK
A:
1. Arms Trade. Death Trade
B:
2. Hate Of The Holy
3. Smash The Labs

http://www.mediafire.com/?x3foiaxynvj

The second of three singles released this year. Burnt Cross are a new band comprising two brothers from Brighton. They create a powerful dosage of anarcho punk through the use of computer equipment and drums machines, as I said, they’re a two man band. Due to that fact they’ve been likened to Cress and although I hear similarities they’re not as crusty or industrial, more drawing influences from in your face straight thinking Mortarhate bands such as Conflict and Exit-Stance.

I’ve been constantly impressed by the quality of their out put since their inception. I posted this single because, for me, the first track “Arms Trade, Death Trade” is a future classic. It’s singalong tune brings home the fearsome political distain contained within. It’s particularly pertinent as, I believe, it’s a reference to the Smash EDO campaign. The campaign is against some dirty fucking bastards who are so warped and twisted they don’t really see anything wrong in making missile guidance systems. The campaign has been really successful and has politicised a lot of local residents. As a result, everybody’s favourite little bitches, the Police, have replied in kind with censorship of any sympathetic media, and cowardly violence.

The problem with music like this is that you can not sit at home, listen to it an enjoy it. The only place in entertainment it has is as a theme to some video of rioting. Despite being a cracking little release, I can’t play this without fear of being incited to go out onto the streets and demonstrate.

All three 7”s are limited to 200 copies each. The label, Tadpole, which is a relatively new UK label is download to their last copies, so you better be quick if you want one! Americans should try Hardcore Holocaust.

Ebola - "Imprecation" 7"

1997, Flat Earth/ Rufusenik Records, UK
A:
1. Fortress Europe
2. Dysphasia
3. Bombed Out
4. Scream Inside
5. Seized Up
B:
6. Smoke Screen
7. Strategically Unimportant
8. Spreek Op Of Anders
9. Avenging The Dead

http://www.mediafire.com/?mmst2gm4o3n

A pretty apt follow up to the last post. Made 10 years (approx) after Generic’s debut, this record features on guitar, previous Generic/ One By One member Mickey.

It’s hard to pick your favourite record as there are so many out there - but after years of careful deliberation, I decided that if I had to go somewhere and could only take one 7” and one 12”, this would be the EP! For me, it is everything a hardcore record should be, it sets the standard. The packaging is incredible - a 16 page card booklet full with the beautiful cut and paste artwork and pen and ink drawings. The lyrics are highly intelligent, critical and political with out being dogmatic or mere sloganeering, and the music, well the music is something else. The booklet, which is worth the record alone, is fully scanned and included in the download.

This was one of the first hardcore records I bought. I remember been blow away by the sheer pulverising force of the first track, “how is this punk rock?” I remember asking myself. From start to finish it is just one intense stream of passion, each song perfectly leading into the next. Try singing a long with the words - I can get maybe half way through the first song before loosing it completely. The vocalists, yes there’s two, have some weird smokey Darth Vader-ish sound going on. There’s even a jazz piano kicking in towards the end! In later records they were to sample extreme-white-noise/power electronics.

I believe there’s 3600 copies floating around in various pressings. The initial 3000 on Flat Earth/ Enslaved have the brown sleeve as shown above, but there was a later repress on Enslaved, which had two different variations. 100 copies had the same artwork but screened on black in blue card, while a further 500 had a new gold design on blue card.

Nick, one of the singers, ran Enslaved records and later went onto sing in Boxed In, while Karin, the other vocalist had previously served time in One By One. Jonathon Lobster, the guitarist, sadly passed away last year. Before that, he recorded with Southampton based thrashers Minute Manifesto, who I hope to share with you sometime in the future.

Generic - "For A Free And Liberated South Africa" 7"

1986, Flat Earth Records UK
A:
1. Making A Killing
2. Join The Conspiracy
B:
3. Caught Like A Rat
4. The Oldest Trick In The Book
5. Civilised?

http://www.mediafire.com/?49zumonqmxn

My first post, and a great place to start; the first release from what I consider one of the most important punk labels of the 90s? Of all time: Flat Earth Records.

A classic, often over looked slab of wax that is debatably one of the first UKHC records. It’s often argued that Hardcore was started by the Americans, who took what the Sex Pistols led ‘77 punk movement had and speed it up while they dressed it down, playing a faster more aggressive style. This wasn’t just punk, this was “hardcore punk.” A couple of years after punk reared it’s monstrous head in the UK, a second wave of bands, such as Discharge and Abrasive Wheels appeared playing music faster, rougher and more politicised than in the Sex Pistols’ day yet they kept their punk tag. For me it’s all hardcore, but with this record, Generic’s first after a (cracking) demo tape, they demonstrated that they were one of the first UK bands to step away from the Riot City/D-Beat formulae, and create something that traces it’s influence from many different musical places.

On this record you’ll hear furious thrash, filthy throat-cancer crust vocals, intense heavy bits and thoughtful ambiance all speed up and slowed down, mashed up all over shop, when these guys felt like it. They went on to progress their style incorporate influences from heavy/prog rock (they even covered Pink Floyd’s “Wall”!) but always kept their political-protest edge. Two more 7”s and two split 12”s (with Electro Hippies and Mortal Terror) were to follow. This 7” was put out in two identical pressings of 1000 copies each.

This record is not only important because it’s a powerful cut of music, but because it was the first release on Flat Earth records, a label that went on in the 1990s to document a some incredible English/Scottish bands (aswell as international) and release some of the most important records of that decade. Micky, the guitarist and Sned the drummer, who had previously released a split flexi as Blood Robots went onto to form One By One, and after that, many other classic bands.

Flat Earth closed it’s doors to releasing records a few years ago, at the time a Generic discography was planned. It still exists as a distro: http://www.flatearth.freeonline.co.uk